Plaster Cast Frieze: Grave Stele of Aristion
1911.03.0002
Detailed Images
Basic Information
Artifact Identification | Plaster Cast Frieze: Grave Stele of Aristion (1911.03.0002) |
---|---|
Classification/ Nomenclature |
|
Artist/Maker | Aristokles |
Geographic Location | |
Period/Date | Late Archaic, 520-510 BCE |
Culture | Archaic Greek |
Location | On Exhibitin the Ancient Mediterranean exhibit |
Physical Analysis
Dimension 1 (Height) | 198.9 cm |
---|---|
Dimension 2 (Width) | 45.0 cm |
Dimension 3 (Depth) | 5.9 cm |
Weight | waived g |
Measuring Remarks | None |
Materials | Plaster |
Manufacturing Processes | Cast |
Munsell Color Information | waived |
Research Remarks
Published Description | Missing palmette, top of the helmet, and tip of the beard. The latter two were sculpted separately and added to the stele. Tall and narrow with a light frame, the stele was joined with lead to its rectangular base. The deceased is represented as a hoplite, bearded, facing right with a light chiton, linen-based breastplate, helmet and greaves. In his left hand he grasps a spear, the other hand hangs down, and his feet are bare. Inscribed with “Aristionos,” the genitive case of the name of the deceased “Aristion” and “the work of Aristokles.” This sculptor’s name is also inscribed on the base of a grave statue found in the remains of the Themistoklean fortification wall of Athens. This inscription is in Greek but the dead man’s name is written in Karian letters. |
---|---|
Description | The top part with a crowning (most likely a palmette) is missing. Aristion is depicted as a bearded hoplite facing right. He wears a short thin chiton above which is a corselet decorated with painted ornaments including maeanders, zigzags, and a star on the shoulder. He wears an Attic helmet (with its top imssing) on his head and greaves on his shins. His right arm hangs down and he holds a spear in his left hand. He stands bare foot on a projecting horizontal band on which is inscribed; ergon Aristokleous (the work of Aristokles). The beard is rendered by wavy incised lines and the hair is combed into spiral curls with volute terminals. The face is terracotta color with traces of red at the bottom of the slab. |
Comparanda | N/A |
Bibliography | Aldrete, Gregory S., Scott Bartell, Alicia Aldrete. 2013. Reconstructing Ancient Linen Body Armor. Unraveling the Linothorax Mystery. Baltimore: Johns Hopkins University Press, 195–96, no. S-4. Boardman, John. 1978. Greek Sculpture: The Archaic Period. Oxford University Press, 164, pl. 235. Guarducci, M. Epigrafia Greca. Vol. III. Rome: 1974. P. 402, no. 4, figure 49. Jeffery, Lilian H. and A. W. Johnston. The Local Scripts of Archaic Greece. Oxford: 1990. P. 75, 78, no. 42. Kaltsas, Nikolaos. 2003. Sculpture in the National Archaeological Museum, Athens. Translated by Dr. David Hardy. Kapon Editions 2002. Los Angeles: Getty Publications, 70 no. 10. Karouzou, Semni. 1968. National Archaeological Museum. Collection of Sculpture. A Catalogue. Translated by Helen Wace. Archaeological Guides no. 15. Athens: General Direction of Antiquities and Restoration, 17, no. 289, pl. 8. Robertson, Martin. 1975. A History of Greek Art. Cambridge: Cambridge University Press, 111, pl. 29b,c. |
Artifact History
Archaeological Data | N/A |
---|---|
Credit Line/Dedication | Classical Museum Purchase |
Reproduction | yes |
Reproduction Information | Original Pentelic marble found in 1839 at Velanideza in Attica not far from the marble stele of Lyseas. Displayed in the Athens National Museum, no. 29. |