Business Advertisement Card: Fairbank's Cottolene

1972.21.0119

Object Image
Detailed Images

Basic Information

Artifact Identification Business Advertisement Card: Fairbank's Cottolene   (1972.21.0119)
Classification/
Nomenclature
  1. Communication Artifacts
  2. :
  3. Advertising Media
  4. :
  5. N/A
Artist/Maker Unknown
Geographic Location
Period N/A
Date 19th century
Culture Euro - American
Location Not on Exhibit

Physical Analysis

Dimension 1 (Height) 13.2 cm
Dimension 2 (Width) 8.4 cm
Dimension 3 (Depth) <0.1 cm
Weight 2 g
Measuring Remarks N/A
Materials Paper, Pigment--Ink
Manufacturing Processes Printed

Research Remarks

Description

Many trade cards in the United States included racialized scenes to propagate white perceptions of civilization. The purpose of these messages was to generate reactions from a majority-white audience using familiar imagery from the traditional American mythos, which often included the stereotypical and demeaning perceptions of American minority groups. This marketing trend legitimized calls to Americanize cultures which were considered uncivilized. This card for Fairbank’s Cottolene demonstrates this trend because it features a black woman holding cotton in her apron, a stereotypical image of black labor and servitude in the South.

Published Description N/A
Bibliography

“A Short History of Trade Cards,” Bulletin of the Business Historical Society 5, no. 3 (April
1931).

Berg, Maxine and Clifford, Helen, Selling Consumption in the Eighteenth Century: Advertising
and the Trade Card in Britain and France, The Journal of the Social History Society, (April 28,
2015).

Chase, Ernest D., The Romance of Greeting Cards, Rust Craft Publishers, 1956.

Jay, Robert, The Trade Card In Nineteenth-Century America, University of Missouri Press,
1987.

Lewis, John, Printed Ephemera: The Changing Uses of Type and Letterforms in English and
American Printing, W.S. Cowell Ltd., 1962.

Mehaffy, Marilyn Maness, Advertising Race/Raceing Advertising: The Feminine
Consumer(Nation), 1876-1900, Signs, 23, no. 1, The University of Chicago Press, 1997, 142-
143, https://www.jstor.org/stable/3175155.

Oatman-Stanford, Hunter, “Extreme Shipping: When Express Delivery to California Meant 100
Grueling Days at Sea,” Collectors Weekly, (June 2, 2016),
https://www.collectorsweekly.com/articles/when-express-delivery-meant-100-days-at-sea/.

Peterdi, Gabor, “Lithography” section of “Printmaking” article, Encyclopedia Britannica online,
2021, https://www.britannica.com/art/printmaking/Lithography.

Artifact History

Credit Line/Dedication Gift of Natalia M. Belting
Reproduction no

Contact

All information about our collection is constantly reviewed and updated. Please contact Dery Martínez-Bonilla, Registrar, if there is any information you are looking for that isn't currently online.