Temple Cornice Figure: Yali Mythical Creature

1987.16.0003

Object Image

Basic Information

Artifact Identification Temple Cornice Figure: Yali Mythical Creature   (1987.16.0003)
Classification/
Nomenclature
  1. Built Environment Artifacts
  2. :
  3. Building Components
  4. :
  5. Surface Elements
Artist/Maker Unknown
Geographic Location
Period Medieval
Date 14th – 16th century
Culture Indian
Location Not on Exhibit

Physical Analysis

Dimension 1 (Height) 42.5 cm
Dimension 2 (Width) 18.0 cm
Dimension 3 (Depth) 12.0 cm
Weight 5,470 g
Measuring Remarks N/A
Materials Plant--Wood
Manufacturing Processes Carved

Research Remarks

Description

The yali is a mythical amalgamation of the lion, elephant and horse, believed to be the most powerful animal in South India. The creature’s amalgamated nature is believed to symbolize both man’s struggle over the forces of nature and the transformative behavior of nature itself. When carved in Hindu temples, the yali takes on new identities. Often appearing in pillars and entryways, the yali acts as a protector. Hindu temples sometimes feature carvings of deities sitting atop the yali; here the animal is tamed as a divine vehicle. Additionally, sculptors are thought to tame yalis when they incorporate the dynamic animal into static architecture. As a protector, a vehicle, and an architectural feature, the yali is a creature with constantly evolving meanings.

The meaning of this South Indian yali–measuring 42.5 cm in height, 18 cm in width, and weighing approximately 5.5 kg–is also constantly evolving, as it was doubly tamed in the context of colonialism. Removed from its rightful place in a Hindu temple and brought to Spurlock in 2013, this creature was not only stripped of its protector role, but also its identity.

This piece was originally named “Temple Cornice Figure: Juggernaut (Demon).” The concept of the “Juggernaut Demon” is a Western contortion of the Hindu deity Jagannath. Deities like Jagannath would have very large idols prominently displayed in temples. As this carving is a less prominent cornice figure and is fairly small, it cannot represent a Hindu deity. The figure’s face, tusks and trunks also suggest that it represents a yali. Existing as a fragment literally and figuratively disconnected from its Hindu culture and origins, this yali embodies the fracturing effects of colonialism.

Published Description N/A
Bibliography

1Bane, Theresa. Encyclopedia of Beasts and Monsters in Myth, Legend and Folklore. Jefferson, NC: McFarland & Company, Inc., Publishers, 2016.

2N, Divya. “The Mythical Yazhi.” Jewels of Sayuri, October 1, 2017. https://jewelsofsayuri.com/2017/01/the-mythical-yazhi.html.

3“Sculptures in Temples in Kumbakonam: Photo 150.” Wisdom Library, August 31, 2021. https://www.wisdomlib.org/gallery/sculptures-in-temples-in-kumbakonam/2581.

4“Varna Sutra - Yalis: Divine Defenders.” Kanakavalli. Accessed October 22, 2024. https://kanakavalli.com/blogs/kanakavalli-varna-sutra/varna-sutra-yalis-divine-defenders?srsltid=AfmBOor93F4-YXeTwK8-UeVsHK1n7oBsRUQBxpODDoqBR4AOaV2lQAi.

5“Yali: Temple Architecture: Sculpture.” MAP Academy, July 26, 2023. https://mapacademy.io/article/yali/.

Artifact History

Credit Line/Dedication Gift of Samuel and Florence Lanford.
Reproduction No

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