Brass Rubbing: John Leventhorp

1997.05.0022

Thumbnail of Brass Rubbing: John Leventhorp (1997.05.0022)

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Basic Information

Artifact Identification Brass Rubbing: John Leventhorp   (1997.05.0022)
Classification/
Nomenclature
  1. Communication Artifacts
  2. :
  3. Documentary Artifacts
  4. :
  5. Graphic Documents
Artist/Maker Unknown
Geographic Location
Period N/A
Date 1510 CE
Culture N/A

Physical Analysis

Dimension 1 (Width) 113.7 cm
Dimension 2 (Height) 69.2 cm
Dimension 3 (N/A) N/A
Weight N/A
Measuring Remarks Under Review
Materials Plant--Wood, Paper, Glass, Wax
Manufacturing Processes Rubbing

Research Remarks

Description

From Horowitz. 2002.
John is dressed in traditional late-15th century military costume. His breastplate has a projecting ridge and lance-rest, which he used for a banner in processions as one of the four gentleman-ushers of King Henry VII. The precatory clause of his inscription is defaced as per the 1643 ordinance banning such superstitious practices. The original slab for the brass contains two indents where shields were once placed. His tilting helmet is curious, having the head of a man at the apex. John's feet rest on a dog.
The Leventhorps of Herefordshire were a branch of an old family living at Leventhorpe Hall in the West Riding of Yorkshire. John's ancestors were strong adherents of the Lancastrian kings, and he followed in their footsteps by supporting the self-proclaimed heir to that dynasty, Henry VII.
A letter from the king to his Royal treasury (Exchequer), dated in 1499, refers to the fact that John Leventhorp had not been paid for two years as one of the ushers of the Royal Chamber. Although the king demanded his full payment, it is not known if John ever received it. He died on 6 August 1510.

Published Description Under Review
Bibliography

Horowitz, Mark R. The Monumental Brasses of England: The Horrowitz Collection. Morton Grove, IL: Portcullis Productions, 1980 (1979). p. 31.

Horowitz, Mark R. The Monumental Brasses of England. The Horowitz Collection. New Edition, 2002.
p.39-40.

Artifact History

Credit Line/Dedication The Horowitz Collection
Reproduction Yes

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