Cloth Painting: "Burning of the Love God," scene from Semaradahana, Twelth-Century Javanese Poem

2002.17.0022

Thumbnail of Cloth Painting: "Burning of the Love God," scene from Semaradahana, Twelth-Century Javanese Poem (2002.17.0022)

Detailed Images

Basic Information

Artifact Identification Cloth Painting: "Burning of the Love God," scene from Semaradahana, Twelth-Century Javanese Poem   (2002.17.0022)
Classification/
Nomenclature
  1. Communication Artifacts
  2. :
  3. Art
  4. :
  5. N/A
Artist/Maker None
Geographic Location
Period/Date 20th century
Culture Balinese Hindu, Indonesian

Physical Analysis

Dimension 1 (Width) 208.2 cm
Dimension 2 (Depth) 80.3 cm
Dimension 3 (Depth) <0.1 cm
Weight 349 g
Measuring Remarks Width measured when object was folded in half. Top and bottom half measures were added together. 9/28/2005: Measurements taken for exhibit installation by JCH. 82.5 x 32 inches.
Materials Textile, Pigment
Manufacturing Processes Painting
Munsell Color Information N/A

Research Remarks

Published Description N/A
Description

In the painting from which this detail comes, Asmara, the god of love, shoots arrows at the god Siwa to arouse his lust. Enraged by having his meditation disturbed, Siwa, as a giant, many-headed demon (pamurtian), shoots fire from his third eye, surrounding Asmara in flames. Later in the story, Asmara’s wife Ratih, the goddess of love, immolates herself; together, they are consumed by the fire.

In contemporary Bali, people explain innate human desires by pointing out that the ash from the burning of Asmara and Ratih filled the air that humans breathe and the food and water they consume. In this way, the ash became one with the five elements from which human bodies are assembled. As a result, living creatures are afflicted with desires—gluttony, lust, and greed, for example—that arise from the body and must be controlled by social rules, meditations to increase self-control, and ritual processes such as tooth filing (matatah).

When Balinese children reach puberty, it is said that these desires have become activated in their bodies. At this time, during matatah, the six upper front teeth are filed evenly. Each tooth is associated with a particular kind of desire that, if acted upon, renders the individual like an animal rather than fully human. Balinese ritual specialists assert that matatah diminishes such animalistic impulses.

Comparanda N/A
Bibliography N/A

Artifact History

Archaeological Data N/A
Credit Line/Dedication Gift of Professor John Garvey.
Reproduction N/A
Reproduction Information N/A

Share What You Know!

The Spurlock Museum actively seeks opportunities to improve what we know and record about our collections. If you have knowledge about this object, please get in touch with our Registration staff by using the form below. Please note that we cannot give appraisals, provide any information related to the value of any party's collections, or authenticate artifacts.

Please enter your first name.
Please enter your last name.
Please enter a valid email address.
Please enter comments you would like to share about the artifact.

All fields are required.