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Displaying Records 1 through 25 of 751 records found
with a credit line of Fred [and] A. [and] Freund [and] Collection
Okimono: Samurai1999.13.0001A (1999.13.0001A)
21 x 12.4 x 9.5 cm (310 g)
Location: Asia, East: Japan
Period: Late Meiji Period (1868-1912); 1890s – 1912 CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Japanese boxwood okimono by Kogetsu of a samurai, a member of the military nobility that played a vital role in Japanese feudal society...
Period: Late Meiji Period (1868-1912); 1890s – 1912 CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Japanese boxwood okimono by Kogetsu of a samurai, a member of the military nobility that played a vital role in Japanese feudal society...
Okimono Base1999.13.0001B (1999.13.0001B)
16.2 x 12.5 x 2.8 cm (329 g)
Location: Asia, East: Japan
Period: Late Meiji Period ; 1890s – late 20th century CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is the base of a Japanese boxwood okimono by Kogetsu of a samurai, a member of the military nobility that played a vital role in Japanese feudal society...
Period: Late Meiji Period ; 1890s – late 20th century CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is the base of a Japanese boxwood okimono by Kogetsu of a samurai, a member of the military nobility that played a vital role in Japanese feudal society...
Okimono: Sword1999.13.0001C (1999.13.0001C)
8.6 x 1.3 x .8 cm (4 g)
Location: Asia, East: Japan
Period: Late Meiji Period (1868-1912); 1890s – 1912 CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is the sword of a Japanese boxwood okimono by Kogetsu of a samurai, a member of the military nobility that played a vital role in Japanese feudal society...
Period: Late Meiji Period (1868-1912); 1890s – 1912 CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is the sword of a Japanese boxwood okimono by Kogetsu of a samurai, a member of the military nobility that played a vital role in Japanese feudal society...
Okimono: Monkey Trainer1999.13.0002 (1999.13.0002)
15.5 x 6.8 x 6.6 cm (175 g)
Location: Asia, East: Japan
Period: Late Meiji Period (1868-1912); 1890s – 1912 CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This Japanese boxwood okimono by Kogetsu depicts a monkey trainer and his monkey represents a form of entertainment that is frequently featured in Japanese art from the Edo period to the 20th century...
Period: Late Meiji Period (1868-1912); 1890s – 1912 CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This Japanese boxwood okimono by Kogetsu depicts a monkey trainer and his monkey represents a form of entertainment that is frequently featured in Japanese art from the Edo period to the 20th century...
Carving: Guanyin (Kannon, Kuanyin, Avalokiteshvara)1999.13.0003 (1999.13.0003)
32.9 x 12.5 x 10 cm (880 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 17th – 18th century CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Chinese boxwood carving of Guanyin (Kuan Yin), the Chinese name for the Bodhisattva Avalokitesvara...
Period: Qing Dynasty (1644-1911); 17th – 18th century CE
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Chinese boxwood carving of Guanyin (Kuan Yin), the Chinese name for the Bodhisattva Avalokitesvara...
Carving: Foreigner1999.13.0004 (1999.13.0004)
21.5 x 12.2 x 11.6 cm (574 g)
Location: Asia, East: Japan
Period: Edo; 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: A rare Japanese bamboo carving of a "foreigner", 9" H. probably Edo, 18th c., finely detailed and carved in high relief...
Period: Edo; 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: A rare Japanese bamboo carving of a "foreigner", 9" H. probably Edo, 18th c., finely detailed and carved in high relief...
Daoist Deity (unnamed)1999.13.0005 (1999.13.0005)
21.5 x 14.5 x 12.3 cm (480 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a bamboo carving of an unnamed Daoist deity. Hues for bamboo wooden items range from yellow to black, with warm tones in red, tortoise-shell, mahogany, and other variegated color designs...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a bamboo carving of an unnamed Daoist deity. Hues for bamboo wooden items range from yellow to black, with warm tones in red, tortoise-shell, mahogany, and other variegated color designs...
Perfume Holder1999.13.0006A (1999.13.0006A)
16.7 x 4.2 x 4.1 cm (46 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Personal Artifacts : Toilet Articles : Hygiene Artifacts
Description: This carved Chinese perfume holder consists of a design depicting a warrior on horseback in an elaborate and naturalistic landscape...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Personal Artifacts : Toilet Articles : Hygiene Artifacts
Description: This carved Chinese perfume holder consists of a design depicting a warrior on horseback in an elaborate and naturalistic landscape...
Perfume Holder Lid1999.13.0006B (1999.13.0006B)
4.4 x 3 cm (18 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Personal Artifacts : Toilet Articles : Hygiene Artifacts
Description: This is the lid of a Qing Dynasty (1644-1911) carved bamboo perfume holder which has a motif of a warrior on horseback in an elaborate and naturalistic landscape...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Personal Artifacts : Toilet Articles : Hygiene Artifacts
Description: This is the lid of a Qing Dynasty (1644-1911) carved bamboo perfume holder which has a motif of a warrior on horseback in an elaborate and naturalistic landscape...
Perfume Holder Lid1999.13.0006C (1999.13.0006C)
5.2 x 5.1 x 2.9 cm (29 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Personal Artifacts : Toilet Articles : Hygiene Artifacts
Description: This is the lid of a Qing Dynasty (1644-1911) carved bamboo perfume holder which has a motif of a warrior on horseback in an elaborate and naturalistic landscape...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Personal Artifacts : Toilet Articles : Hygiene Artifacts
Description: This is the lid of a Qing Dynasty (1644-1911) carved bamboo perfume holder which has a motif of a warrior on horseback in an elaborate and naturalistic landscape...
Okimono: Raiden, Shinto God of Thunder, and Son1999.13.0007 (1999.13.0007)
15.3 x 7.7 x 6.9 cm (150 g)
Location: Asia, East: Japan
Period: Meiji Period (1868-1912); 1868 – 1912
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Japanese boxwood okimono of Raiden, the Shinto god of thunder, and his son Raitaro. Raiden is often depicted to have demonic features and his most common attribute is a drum or wheel of drums to create the sound of thunder...
Period: Meiji Period (1868-1912); 1868 – 1912
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Japanese boxwood okimono of Raiden, the Shinto god of thunder, and his son Raitaro. Raiden is often depicted to have demonic features and his most common attribute is a drum or wheel of drums to create the sound of thunder...
Okimono: Toad1999.13.0008 (1999.13.0008)
15.5 x 8.6 x 6.2 cm (131 g)
Location: Asia, East: Japan
Period: Late Edo Period (1603-1868) - Early Meiji Period (1868-1912); 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: The toad is credited with magic powers and is, therefore, often the subject of Japanese arts as is the case with this boxwood okimono...
Period: Late Edo Period (1603-1868) - Early Meiji Period (1868-1912); 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: The toad is credited with magic powers and is, therefore, often the subject of Japanese arts as is the case with this boxwood okimono...
Rootwood Sculpture1999.13.0009 (1999.13.0009)
17 x 12.6 x 7 cm (288 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th - 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Chinese rootwood sculpture of a grotesque form. It is referred to as a sculpture given that each rootwood art piece is considered unique...
Period: Qing Dynasty (1644-1911); 18th - 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Chinese rootwood sculpture of a grotesque form. It is referred to as a sculpture given that each rootwood art piece is considered unique...
Okimono: Entwined Sambiki Saru (Wise Monkeys)1999.13.0010 (1999.13.0010)
7.6 x 6.6 x 6.5 cm (104 g)
Location: Asia, East: Japan
Period: Edo Period (1603-1868); Mid 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This Japanese boxwood okimono depicts three monkeys representing Sambiki Saru (Wise Monkeys). The Saru is one of the Zodiac and frequently plays a role in legend...
Period: Edo Period (1603-1868); Mid 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This Japanese boxwood okimono depicts three monkeys representing Sambiki Saru (Wise Monkeys). The Saru is one of the Zodiac and frequently plays a role in legend...
Rootwood Sculpture: Pomegranate1999.13.0011 (1999.13.0011)
22.8 x 20.8 x 16.9 cm (1063 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Chinese rootwood sculpture of a pomegranate. It is referred to as a sculpture given that each rootwood art piece is considered unique...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a Chinese rootwood sculpture of a pomegranate. It is referred to as a sculpture given that each rootwood art piece is considered unique...
Okimono: Sumo Wrestlers1999.13.0012 (1999.13.0012)
38.6 x 20.9 x 14.5 cm (984 g)
Location: Asia, East: Japan
Period: Late Edo Period (1603-1868) - Early Meiji Period (1868-1912); 19th Century
Classification/Nomenclature: Communication Artifacts : Art
Description: The classic Kawazu throw of sumo wrestling is pictured in this Japanese okimono. Sumo was established over 2000 years ago as a Shinto ritual and and is depicted in a variety of decorative arts including Ukiyo-e (colorful woodblock prints)...
Period: Late Edo Period (1603-1868) - Early Meiji Period (1868-1912); 19th Century
Classification/Nomenclature: Communication Artifacts : Art
Description: The classic Kawazu throw of sumo wrestling is pictured in this Japanese okimono. Sumo was established over 2000 years ago as a Shinto ritual and and is depicted in a variety of decorative arts including Ukiyo-e (colorful woodblock prints)...
Bitong, Brush Pot1999.13.0013 (1999.13.0013)
15.2 x 15 x 13 cm (937 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication T&E : Written Communication T&E : Writing Accessories
Description: This is a Chinese huanghuali (huang hua-li) carving of a brushpot (bitong) for a scholar's desk. Items made from huanghuali became popular from the middle of the Ming Dynasty (1368-1644) onwards as desk pieces and furniture...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication T&E : Written Communication T&E : Writing Accessories
Description: This is a Chinese huanghuali (huang hua-li) carving of a brushpot (bitong) for a scholar's desk. Items made from huanghuali became popular from the middle of the Ming Dynasty (1368-1644) onwards as desk pieces and furniture...
Daoist Deity (unnamed) on Water Buffalo1999.13.0014 (1999.13.0014)
26.6 x 18.2 x 14.6 cm (778 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); Late 18th - 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a bamboo carving of an unnamed and jovial Daoist deity seated on a water buffalo. Hues for bamboo wooden items range from yellow to black, with warm tones in red, tortoise-shell, mahogany, and other variegated color designs...
Period: Qing Dynasty (1644-1911); Late 18th - 19th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a bamboo carving of an unnamed and jovial Daoist deity seated on a water buffalo. Hues for bamboo wooden items range from yellow to black, with warm tones in red, tortoise-shell, mahogany, and other variegated color designs...
Carving: Lohan (Rakan) Tama Badra1999.13.0015A (1999.13.0015A)
14 x 7.1 x 6.6 cm (136 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a the wooden base of the boxwood carving of Tama Badra who is one of the 500 Buddhist disciples (Lohan) to achieve enlightenment...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a the wooden base of the boxwood carving of Tama Badra who is one of the 500 Buddhist disciples (Lohan) to achieve enlightenment...
Carving: Lohan (Rakan) Tama Badra, Base1999.13.0015B (1999.13.0015B)
9.7 x 9.2 x 1.9 cm (66 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Furnishings : Furniture : Support Furniture
Description: This is a the wooden base of the boxwood carving of Tama Badra who is one of the 500 Buddhist disciples (Lohan) to achieve enlightenment...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Furnishings : Furniture : Support Furniture
Description: This is a the wooden base of the boxwood carving of Tama Badra who is one of the 500 Buddhist disciples (Lohan) to achieve enlightenment...
Ruyi, Scepter: Dragons1999.13.0016 (1999.13.0016)
32.1 x 9 x 6.1 cm (144 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Personal Symbols : Status Symbols
Description: This is a Chinese boxwood carving of a Ruyi (Jui), a curved and scepter-like emblem of rank which was used in court ceremonies and appears in Buddhist iconography as a symbol of religious dialogue...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Personal Symbols : Status Symbols
Description: This is a Chinese boxwood carving of a Ruyi (Jui), a curved and scepter-like emblem of rank which was used in court ceremonies and appears in Buddhist iconography as a symbol of religious dialogue...
Carving: Hehe Erxian, Gods of Mirth, Immortals1999.13.0017A (1999.13.0017A)
20.5 x 16.3 x 9 cm (539 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a wood carving of Hehe Erxian, the twin Buddhist immortals of mirth. Their names are Shide and Hanshan...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This is a wood carving of Hehe Erxian, the twin Buddhist immortals of mirth. Their names are Shide and Hanshan...
Carving: Hehe Erxian, Gods of Mirth, Base 1999.13.0017B (1999.13.0017B)
18.7 x 12.6 x 4.6 cm (225 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Furnishings : Furniture : Support Furniture
Description: This is the base of a wood carving of Hehe Erxian, the twin Buddhist immortals of mirth. Their names are Shide and Hanshan...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Furnishings : Furniture : Support Furniture
Description: This is the base of a wood carving of Hehe Erxian, the twin Buddhist immortals of mirth. Their names are Shide and Hanshan...
Carving: Lohan (Rakan) Nandimitra1999.13.0018 (1999.13.0018)
21 x 14.7 x 11.4 cm (745 g)
Location: Asia, East: China
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This boxwood carving depicts Nandimitra, one of the 500 Buddhist disciples (Lohan) to achieve enlightenment...
Period: Qing Dynasty (1644-1911); 18th century
Classification/Nomenclature: Communication Artifacts : Art
Description: This boxwood carving depicts Nandimitra, one of the 500 Buddhist disciples (Lohan) to achieve enlightenment...
Okimono: Entwined Sambiki Saru (Wise Monkeys)1999.13.0019 (1999.13.0019)
9.4 x 6.5 x 5 cm (84 g)
Location: Asia, East: Japan
Period: Meiji Period (1868-1912); 1880
Classification/Nomenclature: Communication Artifacts : Art
Description: This Japanese boxwood okimono depicts three apes representing Sambiki Saru (Wise Monkeys), the attendants of Koshin, the god of the roads...
Period: Meiji Period (1868-1912); 1880
Classification/Nomenclature: Communication Artifacts : Art
Description: This Japanese boxwood okimono depicts three apes representing Sambiki Saru (Wise Monkeys), the attendants of Koshin, the god of the roads...
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